×
April 2021
Sun
Mon
Tue
Wed
Thu
Fri
Sat
1

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
2

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
3

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
4

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
5

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
6

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
7

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
8

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
9

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
10

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
11

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
12

13

14

15

16

17

18

19

20

12am Exhibition - Notions of Care
21

12am Exhibition - Notions of Care
22

12am Exhibition - Notions of Care
23

12am Exhibition - Notions of Care
24

12am Exhibition - Notions of Care
25

12am Exhibition - Notions of Care
26

12am Exhibition - Notions of Care
27

12am Exhibition - Notions of Care
28

12am Exhibition - Notions of Care
29

12am Exhibition - Notions of Care
30

12am Exhibition - Notions of Care
(0)

Cart.

Qty. Item Subtotal
Total 0.00
(Close)

Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
10AM–4PM SAT

FB, TW, IG.

Exhibits,

Michael Ciavarella Perception Management

Opening: Opening Wednesday 30 August, 6-8pm Dates: 30 August – 23 September

Jean-Francois Millet’s 1857 painting ‘The Gleaners’, depicts three figures bent over collecting bits of grain left in a field following the harvest. Millet and others heralded the arrival of Realism, discarding the Romanticism/Classicism that had dominated European Art in the 19th Century; mythological subject matter was replaced by the ‘real’.

This exhibition consists of paintings of people doing things. The source material comes largely from found images – second hand books and magazines - gleaned from the discarded, leftover detritus of our predominately digital, image-based culture. The paintings attempt to grapple with what it means to make representational/figurative paintings a century and a half after the beginning of Realism. How can meaning be generated through painting? The paintings deploy ambiguity, uncertainty and humour, with a sense of failure and the absurd.

Michael Ciavarella is a Melbourne based artist. He graduated from the Victorian College of Arts with a Bachelor of Fine Art in 2006. He has exhibited locally and internationally including at Te Tuhi, Auckland, Westspace, TCB art inc and Margaret Lawrence Gallery.

Documentation by Christo Crocker.