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Josephine Mead, Moving to the Will of Sound (2021)

  • 21.0 cm x 14.8 cm
(Sold out)

Coloured pencil on archival rag paper.

Josephine Mead is a visual artist, writer and curator based on Boon Wurrung and Wurundjeri woi-wurrung Country. She works through photography, sculpture, installation and writing to explore personal notions of support. Her recent work positions female family members as support-structures, considers the body as a site of discursive practice, explores notions of deep listening, and examines the temporal and sonic nature of writing and photography.

Josephine has held solo exhibitions at c3 contemporary art space, TAB Gallery (Turkey), Bus Projects, Stockroom and the Monash and RMIT faculty galleries. She has shown work in group exhibitions at a wide range of venues, including Blindside, Stockroom, Craft Victoria, Stacks Projects, Counihan Gallery, Five Walls, St Heliers Street Gallery, Kings Artist Run, Seventh, Blue Oyster Space (New Zealand) and as part of the TOMI Arts Festival (Japan). In 2018 she undertook the Arquetopia Foundation Residency (Puebla, Mexico), the Kings Emerging Writer’s Program, the Macfarlane Fund Residency (Kyneton, Victoria) and was published by Art+Australia and un projects. In 2019 she was awarded a Career Development Grant through the Australia Council for the Arts to undertake the Tasarim Bakkali TAB Residency (Istanbul, Turkey) and the Córtex Frontal Residency (Arraiolos, Portugal).

In 2020 she commenced the ZK/U Residency at Zentrum für Kunst und Urbanistik (Berlin, Germany). She is a current Room to Create studio artist at Collingwood Yards (supported by City of Yarra), and is Chair of Artistic Directors for Blindside Gallery. In 2020, with Christine McFetridge, Josephine founded Co- : a Collaborative Publishing House, interested in bringing diverse voices to the fore