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VIC 3066 Aust.

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Masato Takasaka, Untitled (garage days revisited 1994) (2015)

  • 297 x 420 mm
  • Edition of 5 + AP, Pegasus Print

Primarily working with found objects and materials to construct his gallery based installations, architecture and design history collide in Takasaka’s mini-cities. Described as “techno-contemporary”, the exuberant chaos of his sculptural practice involves a process of working and re-working everyday materials in inventive ways to make something new. Bent, crumpled and endlessly interacting surfaces of Takasaka’s work explore limitless formal possibilities and combinations.

Masato Takasaka studied at the Victorian College of the Arts graduating with a Bachelor of Fine Art (Hons) in 1999 and completed his PhD at Monash University in 2014. Recent exhibitions include Channel G as part of Transmission: Legacies of the Television Age, National Gallery of Victoria, Melbourne (2015); 3-Ply Remote Residency, The Stool, Good Press Gallery, Glasgow (2014); Don’t Kurt Cobain, Slopes, Melbourne (2014); Das Boot Fair, Melbourne (2014); Melbourne Now, National Gallery of Victoria, Melbourne (2013); Roppongi Crossing 2013: OUT OF DOUBT, Mori Art Museum, Tokyo (2013); Reinventing the Wheel: the Readymade Century, Monash University Museum of Art, Melbourne (2013); Third/ fourth Melbourne artist-facilitated Biennial, Margaret Lawrence Gallery, Melbourne (2013); ALMOST EVERYTHING ALL AT ONCE, TWICE, THREE TIMES (In Four Parts…), Gertrude Contemporary, Melbourne (2012); NETWORKS (cells and silos), Monash University Museum of Art, Melbourne (2011); New Psychedelia, University of Queensland Art Museum, Brisbane (2011); Post-logical Form, Contemporary Art Centre of South Australia, Adelaide (2011).